Glow in the Dark Powder Pink-Pink 40 g – Coloured Glow Pigment

Pink-Pink shows a strong fluorescent pink in daylight and, once charged, also glows pink in the dark – two effects from one pigment. It suits resin art, home decoration, nail polish, jewellery and candles.

Properties

• Material: strontium aluminate doped with europium and dysprosium, with a protective coating – making it water-resistant
• Colour: strong pink by day, pink in the dark
• Afterglow duration: up to 2 hours after a full charge in complete darkness; most intense in the first few minutes
• Particle size: approx. 20–30 µm (1 µm = one thousandth of a millimetre)
• Charging: with any light source, fastest with UV light or sun (a few minutes)
• Heat: tinted pigment – do not process above approx. 150 °C
• Classification: not classified as hazardous under CLP – see safety data sheet

How to use the glow powder

The pigment does not dissolve; it is stirred into a carrier: epoxy and casting resin, clear varnish, acrylic paint, glue, wallpaper paste, wax or silicone. As a starting point we recommend approx. 20% pigment relative to the carrier; in opaque carriers such as white wall paint, rather 30–50%. Test the mixture on a small sample first.

• The more transparent and lighter the carrier, the stronger the glow. Prime dark surfaces in a light colour first.
• In thin resin the pigment sinks: let the resin thicken briefly, then stir it in.
• You can also sprinkle the powder onto sticky surfaces such as glue, wax or wallpaper paste, or apply it in clear varnish with an airbrush.
• For outdoor use, use weather-resistant clear varnishes or epoxy.

What's included

40 g glow powder Pink-Pink in a resealable poly bag.

Good to know

For technical reasons, tinted shades glow more weakly and for a shorter time than green or blue-green with a whitish daylight colour. In return, the powder shows a strong colour during the day too. Afterglow is an aid for orientation and effects, not a light source: it becomes visible in real darkness and barely under a street lamp. Colours look different in photos depending on the camera and the charge. The raw pigment is not a toy. Avoid dust and contact with skin and eyes when processing larger quantities.